Movie opinions thread (what have you seen, what did you think?)

Lagduf

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I wish Cruise had done some more sci-fi. Edge of Tomorrow (anyone who calls it “Live Die Repeat” is a dumbass) is a great flick.

Agree with you on the last bit.

I also enjoyed Cruise in Oblivion. A bit slower paced and more like something out of (tamer) twilight zone/black mirror but a fun sci fi flick.
 

LoneSage

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Lmbo, didn't the movie bomb in theaters because of that generic title? Live. Die. Repeat. is a helluva lot better. I'm with the director on this one.

I've still never watched it. Goodness it came out 10 years ago.
 

SouthtownKid

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I wish Cruise had done some more sci-fi. Edge of Tomorrow (anyone who calls it “Live Die Repeat” is a dumbass) is a great flick.
The real title is All You Need Is Kill. Edge of Tomorrow and Live Die Repeat are equally wrong and stupid.
 

Lagduf

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The real title is All You Need Is Kill. Edge of Tomorrow and Live Die Repeat are equally wrong and stupid.

Nah.

That’s the title of the manga and as I understand the film is more accurately an adaptation than an attempt to put the manga on film.
 

SouthtownKid

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Nah.

That’s the title of the manga and as I understand the film is more accurately an adaptation than an attempt to put the manga on film.
Firstly, it's just a better title. And secondly, what benefit is there to needlessly disrespecting the source material? It's like if they changed the name of Ghost in the Shell to Robot Wars.
 

Lagduf

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Firstly, it's just a better title. And secondly, what benefit is there to needlessly disrespecting the source material? It's like if they changed the name of Ghost in the Shell to Robot Wars.

Changing the title of a Japanese manga to something more suitable to American viewers is hardly what I’d call disrespect, particularly when it’s an adaptation of the source material.

Does The Magnificent Seven disrespect Seven Samurai? Does a Fistful of Dollars disrespect Yojimbo?

Do I need to start calling Duck, You Sucker “Gui La Testa?” to not disrespect Italians?

You’re yelling at clouds.
 

Lagduf

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But I mean sure, Edge of Tomorrow isn’t an inspiring title and live die repeat is a title for infantile baby talk retards.

So great film, terrible title.
 

SouthtownKid

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Do I need to start calling Duck, You Sucker “Gui La Testa?” to not disrespect Italians?
Sergio Leone chose the title Duck, You Sucker himself. People tried to talk him out of it.

Magnificent Seven and Fistful of Dollars are reimaginings into different genres. Yojimbo itself being a reimagining of Red Harvest into a different genre. Those are all examples of a completely different thing. "Edge of Tomorrow" was an adaptation of the novel, not a reimagining like Fistful.
 

Lagduf

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Sergio Leone chose the title Duck, You Sucker himself. People tried to talk him out of it.

Magnificent Seven and Fistful of Dollars are reimaginings into different genres. Yojimbo itself being a reimagining of Red Harvest into a different genre. Those are all examples of a completely different thing. "Edge of Tomorrow" was an adaptation of the novel, not a reimagining like Fistful.

Disrespectful though? C’mon. That’s just silly.
 

100proof

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Monique Gabrielle is very much aware of the territory she's in with this film and she's so bad in it that it has to be intentional. I know she's a B movie starlet and a scream queen or whatever but it's like she is playing a bad actress in a movie in this film.

Go watch other films she's in. She's just a hilariously bad actor but it works in Deathstalker II because it kind of fits with the rest of the movie. She has a weird thing where her eyes act independently from the rest of her face.

Killer bod, though.
 

SouthtownKid

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Disrespectful though?
In this case, I'd say, yeah. Because it's clearly the work of another non-creative executive making a needless change, thinking he could make an improvement on something that was already fine. And the fact we know multiple ideas they threw out means they probably weren't even excited about the choice they went with. All You Need Is Kill is at least striking because of the instant associations you make from the phrasing. Edge of Tomorrow is bland, like a rejected episode title from Star Trek TOS.

By the way, if you wanted to win the argument, the example you were looking for was Blade Runner.
 

terry.330

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Clue- This is a terrible murder mystery but it's a great ensemble screwball comedy. An absolutely incredible cast that really manages to elevate material that's honestly pretty mediocre on it's own. I know John Landis had a difficult time writing it and brought in Jonathan Lynn to help with the script, who then ended up directing because Landis left to make Spies Like Us and it shows. The movie is very flat and often clunky. But the actors really pull their weight and the manic energy keep things going. It's one of those movies that's still really enjoyable despite multiple obvious issues.

I actually just realized that the guy who played Mr. Body is the lead singer of the punk bad FEAR and the singing telegram girl was Jane Weidlan from The Go-Gos. I guess I never bothered to read the credits when it was on cable. This might have been the first time I've gotten to see all 3 endings. I definitely don't remember the one with Mrs. Peacock.
 

Ralfakick

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Gold 1974

Filmed in apartheid South Africa it stars Roger Moore as a mid level manager of a gold mine. The son of the owner of the mine conspires with a cabal to flood the mine thus reducing the gold supply and driving their shares up. Roger Moore is a pawn in the plan.

I read it was a double feature with the taking of Pelham. Gold was dated but had some charm to it particularly Roger Moore James Bonding teh ladies. It held my attention throughout, it was entertaining. Despite being filmed in apartheid SA the most honorable person portrayed in the movie was black.

I read they wanted Spielberg to direct originally and it would have been his second film but Roger Moore said he was too young at the time

 
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100proof

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Right. Playing catch-up:

Child's Play 3 - Quite possibly the worst of the franchise (though I remember Seed being hacky and overly meta). Andy goes to military school and Chucky, once again resurrected with little to no fanfare this time, goes to track him down before realizing he doesn't need Andy anymore and goes after another kid instead(?). The Chucky one-liners aren't as good, the sets are all bland buildings and the woods and there's fewer opportunities for good puppet work. The whole thing seems cheap and formulaic compared to the previous movies and the little kid is an annoying cliche. Waste of a small weird performance from Andrew Robinson (of Hellraiser fame) and most of the kids are boring and one-note. I guess I take back what I said about the Chucky franchise being the most consistently decent of the slasher movies.

When Evil Lurks - Terrific demonic possession movie from Argentina. Two brothers in a rural town stumble upon a family whose son is possessed by "the rotten", an evil presence that slowly corrupts everything around it and a series of mistakes leads to a lot of bad shit happening.

I don't want to give too much away but the movie is very well-written and is as much about the broken family dynamics of the two brothers as it is the well-fleshed-out but not overly explained demon lore. There is some truly disturbing stuff that happens as the influence of the rotten starts impacting the people (and animals) around the two brothers. It's smart, it has great practical fx gore and goo (but never gets overtaken by it to become silly) and it's not afraid to go to some dark, DARK places. Can't wait to see what else the director gets up to next.

Bloody Muscle Bodybuilder in Hell - Cheap Evil Dead knockoff from Japan filmed on VHS, written, directed, edited, produced and starring one dude. The titular bodybuilder, his girl and his friend (who claims to be a ghost whisperer of some kind) goes to his father's spooky abandoned house where his father buried his psycho ex in the floorboards. Psycho ex possesses his friend and they spend the next 45 minutes farting around, ripping off Evil Dead scenes and lines between doing generic Japanese ghost stuff. The story of the making of the movie is honestly more interesting and fun than anything in the movie itself (dude filmed the movie in the early 90s and took the better part of two decades trying to finish it and it's become a late-night cult movie... a very "little engine that could" story with a happy ending).

The movie itself is a slog. It's got some decent special fx shots and it wears its inspirations very much on its sleeve but it's amateurish and has very little of the energy or the creative spark of the things it's aping. It is always fun to see American entertainment through the lens of other cultures though and would make for prime fodder for movie YouTube channels.
 

Lagduf

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In this case, I'd say, yeah. Because it's clearly the work of another non-creative executive making a needless change, thinking he could make an improvement on something that was already fine. And the fact we know multiple ideas they threw out means they probably weren't even excited about the choice they went with. All You Need Is Kill is at least striking because of the instant associations you make from the phrasing. Edge of Tomorrow is bland, like a rejected episode title from Star Trek TOS.

By the way, if you wanted to win the argument, the example you were looking for was Blade Runner.

I jut think your use of the word disrespect in this case is entirely hyperbolic.

I understand your sentiment, of course. But with your logic can’t it also be argued the Manga authors/illustrators disrespected themselves by not maintaining complete creative control/veto power over aspects the film project. I’m sure they grumbled about respect all the way to the bank.

Serious question: Did Kubrick disrespect King with his adaptation of The Shining?

I don’t care to win the argument. I did want to argue with you though, lol.

Clearly we have different understanding of what respect is as a concept.
 

Teddy KGB

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Clue- This is a terrible murder mystery but it's a great ensemble screwball comedy. An absolutely incredible cast that really manages to elevate material that's honestly pretty mediocre on it's own. I know John Landis had a difficult time writing it and brought in Jonathan Lynn to help with the script, who then ended up directing because Landis left to make Spies Like Us and it shows. The movie is very flat and often clunky. But the actors really pull their weight and the manic energy keep things going. It's one of those movies that's still really enjoyable despite multiple obvious issues.

I actually just realized that the guy who played Mr. Body is the lead singer of the punk bad FEAR and the singing telegram girl was Jane Weidlan from The Go-Gos. I guess I never bothered to read the credits when it was on cable. This might have been the first time I've gotten to see all 3 endings. I definitely don't remember the one with Mrs. Peacock.

Probably a totally meaningless coincidence, but I always thought it was a trip that Clue was released the same year as Back to the Future (1985) both stared Christopher Lloyd and both were primarily set in the mid 50s.
 

Taiso

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Go watch other films she's in. She's just a hilariously bad actor but it works in Deathstalker II because it kind of fits with the rest of the movie. She has a weird thing where her eyes act independently from the rest of her face.

Killer bod, though.
I was infatuated with her for many years after seeing Batchelor Party.

Yeah, back then she could get it.
 

Lagduf

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Not sure. 'duf may have known or not. He's strangely unaware of some things that most of the world knows.

That's usually to his benefit.

I’m aware of King’s feelings regarding the film…

… but was Kubrick’s adaptation disrespectful?
 
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