The rocket fist punch and the giant robot being knocked through the bridge and then coming up to a sliding stop on its heels were pure giant robot anime goodness. These are the kinds of tiny details that show off the film's obvious invluences and also indicate that Del Toro understands the genre and knows how to communicate those things in a live action film.
A bunch of subtle nods to geek culture don't necessarily make for a great film, but it's reassuring to know that they've got their finger on the pulse of the genre.
A little unsolicited opining about EVA follows:
As for Evangelion, I don't consider it preachy at all. It's just all very, very melodramatic. I still like the series and believe everyone who is a fan of anime should watch it at least once. Including The End of Evangelion, which I feel is a fantastic movie and, perhaps, the only fitting end to that series. So it's not a happy ending. The series' rather depressing point is that what people need to be satisfied is different for each individual. Shinji had the means to make the world into anything he wanted at the end but he couldn't make it a happy place because he was not, at heart, a happy person. He was lonely, abandoned, depressed and miserable. That's what he was comfortable with, for whatever fucked up reasons explain it. So that's the world he made. One in which he felt irrationally safe because he didn't have to change who he was. Sucks for the rest of us, but we weren't given the power now, were we?
I am down with these new EVA movies and have enjoyed the first two so far. But to be honest, I don't need Gainax to 'rewrite' EVA. I'm content with the original version's themes and outcome. Maybe Hideaki Anno wouldn't have written that ending had he been in a better place in life, but art is a reflection of the creator's soul at the time of ralization and whatever metaphysical and spiritual flailing he was doing at the time, EVA was the result.
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